Desmontajes de la mirada: reflexiones a partir de Adiós al lenguaje y El libro de imágenes
نویسندگان
چکیده
Durante sus últimos años de actividad como realizador, Jean-Luc Godard pareció retomar estéticas e indagaciones dejadas en suspenso casi veinte atrás cuando filmaba los capítulos su monumental Historia(s) del cine. El resultado esto no fue una continuación directa aquello que lo inquietaba a mediados ochenta, sobre las virtualidades historiografía séptimo arte. Al contrario, representa un nuevo intento por adentrarse gramáticas aberrantes audiovisual contemporáneo, incluso si para ello tiene alejarse convenciones narrativas y más canónicas.
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ژورنال
عنوان ژورنال: Revista Policía y Seguridad Pública
سال: 2023
ISSN: ['2523-6253', '2225-5648', '2073-2759', '2523-6245']
DOI: https://doi.org/10.26439/vent.indiscreta2023.n029.6542